|IMDB Rating:||4.1/10||Released Date:||25 Nov 2012|
|Runtime:||88 min||Director:||Lloyd Kramer|
Summery: On the set of Cleopatra, Hollywood's most beautiful star, Elizabeth Taylor, fell into the arms of one of the world's greatest actors, Richard Burton - and she didn't leave. Their subsequent white-hot, scandalous love affair gave rise to the paparazzi and they became the most hunted and photographed couple on earth. Their rocky, passionate, relationship, born in front of the cameras, was subsequently captured in a series of films, including The V.I.P.s and Who's Afraid of Virginia Woolf? The last of the great, extravagant stars, flaunting diamonds, yachts and private planes, they continually seized the headlines. They even divorced and married again - only to divorce again - but remain in each other's hearts. This Elizabeth Taylor - Richard Burton story is a no-holds barred account of their undying, but impossible love.
Liz & Dick eventually realizes that it’s running out of its allotted time, having spent it on – surprise! -- more elaborate arguments and drinking scenes. The film then races forward, with Taylor getting her infamously immense diamond (because Burton had said her fingers were fat). Taylor begins to worry about her age, her stardom. Burton takes on more bad films, they divorce, he courts a princess, she courts Aristotle Onassis, they get married again, it goes badly -- like this film -- and eventually the race to the end is nearly complete. But not before Burton dies and the late-era Taylor is unveiled for the first time. The moment Lohan appears in this get-up, it’s impossible not to laugh. It really does look like SNL. She can’t really pull off the young, sexy Liz with much believability, so the mid-‘80s look is awkward squared. She gets the news of Burton’s death and faints -- a straight drop to the floor -- that also somehow seems inadvertently hysterical. Finally, the unbearable ceases -- but not before yet more fourth-wall breakage (which, even by this time, never loses its “why are they doing this?” element). Stunt casting rarely works. But in Liz & Dick it works by accident or for all the wrong reasons. Lohan as Taylor was a bad idea in the dramatic sense, but it’s pure genius both for marketing and for belly laughs and drinking games.